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Except Sophie hates weddings now. Develops near-panic attacks as the bride begins to walk down the aisle. When the anxiety becomes too much for her she flees one set of nuptials and bumps into a very nice, well-mannered and considerate gentleman, Mr. Brandon. As he escorts her home - since she's still a bit shaky - they strike up a rapport. Imagine Sophie's horror when she is assigned to exclusively cover "The Wedding of the Year", the wedding of a double-duke to the daughter of another duke: her Mr. Brandon is the Duke of Hamilton and Brandon, engaged to Clarissa, daughter of the Duke of Richmond. It's a dynastic marriage, uniting two great families and giving the impoverished Richmond financial support, and certainly not a love match. It is the marriage Brandon desires because it is the proper thing to do. It certainly isn't proper to start thinking about Sophie, desiring her, and how she makes his life better.
Now, there are some historical anachronisms (notably, female journalists really didn't exist, or at least exist publicly, in the Regency period) and the language and situational plot devices seem very modern. But the creation of Sophie's phobia and the fact that Brandon is most definitely not the usual Regency rake (far from it) gives the tradition genre new life. On the other hand, there is a rather unnecessary backstory mystery and a secondary love plot/character/solution that presents itself with "I WILL SOLVE THE PROBLEM" practically tattooed on his forehead.
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A Tale of Two Lovers is a fun little read. Juliana is stubborn, strong-willed, and completely off rakes since her husband died a notorious death involving a carriage, spirits, and a prostitute leaving her impoverished. Simon is a bit unusual for a rake - he's at the mercy of his father's purse strings. This novel is plotted very well - the B-plot involving the identity of The Man About Town is well inserted - and the sparring between hero and heroine makes for a good read. The focus on homosexuality as deviant made me squirm a bit. Even though the reaction is accurate for the period it got a bit uncomfortable after a while.
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I really liked the A-plot of this novel: mysterious, globe-trotting nobleman returns from who-knows-where sporting a collection of South Asian tattoos and falls in love with a reporter. It's complicated by not one, not two, but three complicated B-plots. The hero and heroine have a personal B-plot apiece plus there is competition for government funding. Maybe could have used some editing. The electronic file could have used better line editing as well: one might "console" another person, not "consol" and wear a "bauble", not a "bobble" (unless you're speaking of knitted garments and, considering the novel was set in London not the Aran Islands, I believe they were speaking of jewelry).
There's just one Writing Girl left - Charlotte. Despite some of my issues with each novel, they were fun to read and I'd like to see the conclusion of the series.
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