28 February 2017
Two young women of vastly different means struggle to find their own way during the darkest hours of South Korea's economic miracle, in a striking debut novel for readers of Anthony Marra and Chimamanda Ngozie Adichie.
Seoul, 1978. At South Korea's top university, the nation s best and brightest compete to join the professional elite of an authoritarian regime. Success could lead to a life of rarefied privilege and wealth; failure means being left irrevocably behind.
For childhood friends Jisun and Namin, the stakes couldn't be more different. Jisun, the daughter of a powerful business mogul, grew up on a mountainside estate with lush gardens and a dedicated chauffeur. Namin's parents run a tented food cart from dawn to curfew. Her sister works in a shoe factory. Now Jisun wants as little to do with her father's world as possible, abandoning her schoolwork in favor of the underground activist movement, while Namin studies tirelessly in the service of one goal: to launch herself and her family out of poverty.
But everything changes when Jisun and Namin meet an ambitious, charming student named Sunam, whose need to please his family has led him to a prestigious club: the Circle. Under the influence of his mentor, Juno, a manipulative social climber, Sunam becomes entangled with both women, as they all make choices that will change their lives forever.
In this sweeping yet intimate debut, Yoojin Grace Wuertz details four intertwining lives that are rife with turmoil and desire, private anxieties and public betrayals, dashed hopes and broken dreams while a nation moves toward prosperity at any cost.
Conveniently enough, my next historical novel was also centered around Korea. Yoojin Grace Wuertz set her debut novel Everything Belongs to Us during the turbulent 1970s student uprisings in Seoul. Two women, Namin and Jisun, have been friends since elementary school. Jisun's father is rich and politically well-connected, Namin's family scrape by through relentless toil at their food cart. Neither family is what you would call close or warm. Namin knows that her only way out of poverty, and that of her disabled younger brother, is through her brains - she will make it through university and medical school to become a respected doctor. Jisun is no less intelligent but possesses a reckless spirit that places her squarely at odds with her father.
Seoul National University - the country's most elite college with its grueling entrance exams - offers the women their first taste of freedom after the rigor of high school. Namin begins to social-climb. SNU's The Circle, a fraternity-like social club, offers her connections with peers who will go on to direct South Korea's future. Jisun, though, spurns the club - her brother being one of the leaders - and instead focuses on the student movement agitating among the factory workers. Both women become involved with Sunam, another aspiring applicant to The Circle whose earnest, bumbling attempts at social-climbing perpetually leave him on the periphery.
Everything Belongs to Us is an excellent debut novel. The settings are so vivid. Jisun's starkly beautiful but chilling home compared to Namin's poor but kept just-serviceable family house compared to the rural family farm where Namin's brother lives with their grandparents. The factory workers' protest compared to the rigor of academics at SNU. Namin, Jisun, and Sunam are all very different characters, with differing motivations. They're all also extremely unlikeable at times which makes them particularly fascinating as you simultaneously pity and despise each one in turn. Each carries so much of the story that even at the very end I was never quite sure who the "main" character actually was - Sunam who always seemed to be more of a narrator of others' lives? Maybe. He is the most relatable character, in my opinion - haven't we all tried to join a group, on our best behavior, only to feel like we haven't been told the password? The book ends with an Epilogue that I wasn't particularly a fan of, so Epilogue dislikers you are forewarned, but it didn't take away from the body of the book. A definite recommend for fans of Min Jin Lee (hey, hey, Pachinko) and Kyung-Sook Shin.
Everything Belongs to Us is out today, February 28, wherever books are sold.
Dear FTC: Thanks to Random House for the ARC.
12 February 2017
The captivating first novel by the best-selling, National Book Award nominee George Saunders, about Abraham Lincoln and the death of his eleven year old son, Willie, at the dawn of the Civil War
On February 22, 1862, two days after his death, Willie Lincoln was laid to rest in a marble crypt in a Georgetown cemetery. That very night, shattered by grief, Abraham Lincoln arrives at the cemetery under cover of darkness and visits the crypt, alone, to spend time with his son’s body.
Set over the course of that one night and populated by ghosts of the recently passed and the long dead, Lincoln in the Bardo is a thrilling exploration of death, grief, the powers of good and evil, a novel - in its form and voice - completely unlike anything you have read before. It is also, in the end, an exploration of the deeper meaning and possibilities of life, written as only George Saunders can: with humor, pathos, and grace.
It is said that the night Willie Lincoln, who died at the age of 11 of typhoid fever, was laid to rest his father Abraham Lincoln came to the cemetery to visit the body. It is also said that he held his son's body, spoke to it. George Saunders has taken this historical nugget and turned it into a masterwork of beauty and pathos.
Lincoln in the Bardo is a novel narrated largely by the shades that inhabit the Georgetown cemetery over this single night. These shades are trapped in this limbo, hampered by need, want, and fear. Their forms are grotesquely reshaped by their obsessions and sins, for want of a better word. Willie Lincoln's shade becomes a focus of attention in the cemetery for children's souls do not linger in this purgatory. If they do, a horrific fate awaits. Three shades, Vollman (a businessman), Bevins (a printer), and the Reverend Thomas, do their best to encourage Willie's soul to ascend. But Willie's father has promised to return and so the little boy waits despite the increasing danger.
Lincoln in the Bardo is an incredible first novel from a master of the short fiction format. The shared narration is reminiscent of a Greek chorus or a conversation, rendered on the page like the script of a play. These shades are not Dickens's ghosts - they are venal, vengeful, lustful, racist, distraught, obsessed with property, old lovers, old slights by family members, old wounds. In a way, they are in collective denial of their state. Saunders reflects the condition of the United States, torn by the Civil War as it reached the height of its bloodiest battles, in the inhabitants of this cemetery. The limbo of Saunders's Bardo is not the Dantean Limbo of the Inferno, with the virtuous pagans living peacefully throughout eternity; this limbo is menacing, with an undercurrent of evil. It swirls around Willie Lincoln, who waits in vain for his father to take him home.
I read this book almost immediately upon receiving the galley direct from George Saunders's hands. It proceeded to wreck me emotionally for the next 350 pages. The uniqueness of the format allows the characters to speak directly to the reader without any sort of narrative interpretation or point-of-view. I could read this over and over and keep finding little nuggets to wonder over. I intend to purchase the audiobook edition of Bardo, which has a star-studded cast of 166 readers including Saunders himself, and just submit to it completely.
Lincoln in the Bardo is available on February 14 - you must read it.
Dear FTC: I have a signed galley from BEA, which was an absolute highlight of the conference. Thank you so much to Random House and George Saunders for this book.
08 February 2017
An earl hiding from his future . . .
Lawrence Browne, the Earl of Radnor, is mad. At least, that’s what he and most of the village believes. A brilliant scientist, he hides himself away in his family’s crumbling estate, unwilling to venture into the outside world. When an annoyingly handsome man arrives at Penkellis, claiming to be Lawrence’s new secretary, his carefully planned world is turned upside down.
A swindler haunted by his past . . .
Georgie Turner has made his life pretending to be anyone but himself. A swindler and con man, he can slip into an identity faster than he can change clothes. But when his long-dead conscience resurrects and a dangerous associate is out for blood, Georgie escapes to the wilds of Cornwall. Pretending to be a secretary should be easy, but he doesn’t expect that the only madness he finds is the one he has for the gorgeous earl.
Can they find forever in the wreckage of their lives?
Challenging each other at every turn, the two men soon give into the desire that threatens to overwhelm them. But with one man convinced he is at the very brink of madness and the other hiding his real identity, only true love can make this an affair to remember.
We first met Georgie in his brother Jack's book, The Soldier's Scoundrel. Georgie's line of business is particularly shady, given that he's a confidence trickster. It can also be deadly when you get cold feet during a deal and back out. Sympathy for a mark is never tolerated. Conveniently, Jack's partner Oliver has a way to get Georgie out of London while the criminal gang cools off: there's a "mad" Earl out in Cornwall who needs a secretary (and the local vicar a spy to determine whether the Earl is truly mad).
Lawrence Browne, the Earl of Radnor, doesn't particularly dispute the "mad" appellation. He might well be. He hates to be disturbed by anyone, develops anxiety out in public, and prefers to hole up in his study inventing a method of long-distance communication. Besides which, both his father and his brother were definitely not sane, so it's only a matter of time before he also loses his grip. He doesn't need a secretary hanging around, getting into his business, and looking so sinfully handsome. Georgie is quick, efficient, fastidious (the result of a squalid childhood in the slums), and proves himself to be a help to Lawrence in his inventing. He's also stubborn and reciprocates Lawrence's desire for pleasure and companionship. But Georgie is living a lie and it's only a matter of time before his past catches up with him.
The Lawrence Browne Affair is a sweet romance, but I didn't love it quite as much as The Soldier's Scoundrel. Georgie is a very aloof character, even in his own book, so he still feels an enigma to some extent. Because of that, at times the story felt less like a romance and more like "Lawrence found a handler he couldn't frighten away." It's a minor quibble. I did appreciate that Lawrence's "madness" was not perfectly defined; it comes across as either extreme social anxiety or somewhere on the spectrum but since things like the DSM-V didn't exist Sebastian tried to stay within contemporary descriptions. There were several interesting turns to the plot I liked. There are some interesting incidents with superstitious Cornish villagers and a surprise character pops up. Plus, we get to see Oliver and Jack in their home, which was so lovely. This is a good second novel and I am intrigued by the character Sebastian has decided to follow in the next book (spoiler: it won't be Jack and Georgie's sister, Sarah, nuts).
The Lawrence Browne Affair is out now in e-book and will be available in mass market paperback on March 21.
Dear FTC: I got a digital galley from the publisher via Edelweiss. And then I bought a copy.
07 February 2017
WHO RUNS THE WORLD? SQUIRRELS! Fourteen-year-old Doreen Green moved from sunny California to the suburbs of New Jersey. She must start at a new school, make new friends, and continue to hide her tail. Yep, Doreen has the powers of . . . a squirrel! After failing at several attempts to find her new BFF, Doreen feels lonely and trapped, liked a caged animal. Then one day Doreen uses her extraordinary powers to stop a group of troublemakers from causing mischief in the neighborhood, and her whole life changes. Everyone at school is talking about it! Doreen contemplates becoming a full-fledged Super Hero. And thus, Squirrel Girl is born! She saves cats from trees, keeps the sidewalks clean, and dissuades vandalism. All is well until a real-life Super Villain steps out of the shadows and declares Squirrel Girl his archenemy. Can Doreen balance being a teenager and a Super Hero? Or will she go . . . NUTS?
The Unbeatable Squirrel Girl is one of my favorite ongoing Marvel Comics series. A human girl, with a squirrel tail, teeth, proportional speed and strength, and the ability to reason with super-villains (she convinced Galactus to not eat the Earth without throwing a punch). I was unbelievably excited when I heard that Shannon and Dean Hale had been tapped to write a Squirrel Girl middle-grade novel. (I got a galley at BEA and got it signed plus I got squirrel ears - bonus! Go nuts!)
The Unbeatable Squirrel Girl: Squirrel Meets World starts a few years before the opening of the current SG comics run. Fourteen-year-old Doreen's dad has accepted a new job and the family has moved from California to the New Jersey 'burbs. Doreen is going to start at a new school, try and make some (human) friends, and keep her bushy squirrel tail hidden in her pants (it gives her a bodacious badonk). That's all easier said than done. Her neighborhood is filled with strange LARPers and roaming angry dogs, someone is trapping local squirrels in lethal traps, and this "friends" thing isn't coming along as fast as Doreen hoped (The Somebodies are the mean kids in any school anywhere). When Doreen puts the fear of the Jersey Devil into a pack of local hoodlums, she accidentally becomes a superhero: Squirrel Girl! Who has squirrel friends, like Tippy-Toe! And rescues babies! And winds up in a fight for her neighborhood with the newest super-villain menace: the Micro-Manager!
The Hales captured Squirrel Girl's voice from the comics perfectly (and the footnotes!). They've given us a superhero novel that is unbelievably funny with great heart. The narration rotates between Doreen, Tippy-Toe (who has an amazing Jersey Squirrel dialect), and Ana Sophia, Doreen's new friend who is a computer genius and is obsessed with socks and Thor (possibly in that order). There are several text exchange chapters between Doreen and members of the Avengers that are so funny they should be illegal. The voices were EXACTLY RIGHT and I dare you not to hear the MCU actors' voices for Black Widow, Tony Stark, and Rocket Racoon when reading those chapters (I almost peed my pants I laughed so hard). Easter Eggs abound for Marvel fans. Go nuts!
Even though Squirrel Meets World is aimed at the middle-grade or teen crowd, the book does not condescend or talk down to its audience. It's a bit like the original Muppets movies - there's something for everyone. Grown-up fans of SG should enjoy this book, too!
The Unbeatable Squirrel Girl: Squirrel Meets World is out TODAY wherever books are sold.
Dear FTC: I have a signed galley. Also, I *high-fived* Dean Hale after we talked about which issue of SG is the best, so there's that.
06 February 2017
A new tour de force from the bestselling author of Free Food for Millionaires, for readers of The Kite Runner and Cutting for Stone.
Pachinko follows one Korean family through the generations, beginning in early 1900s Korea with Sunja, the prized daughter of a poor yet proud family, whose unplanned pregnancy threatens to shame them all. Deserted by her lover, Sunja is saved when a young tubercular minister offers to marry and bring her to Japan.
So begins a sweeping saga of an exceptional family in exile from its homeland and caught in the indifferent arc of history. Through desperate struggles and hard-won triumphs, its members are bound together by deep roots as they face enduring questions of faith, family, and identity.
I missed Lee's first book but I was really intrigued by the flap copy for Pachinko. Fiction is a way for me to identify areas of history or the world I don't know much about - the history of Korea is definitely a blind spot.
Pachinko is the story of Sunja, a poor teenager in 1930s Korea just after the start of the Japanese occupation. When she is seduced and abandoned by a wealthy Korean expatriate, she is left pregnant, a massive source of shame for her hardworking mother. A young Presbyterian minister, Isak, offers to marry Sunja, give her baby a name, and take her with him to his new congregation in Osaka. The novel continues to follow Sunja, her sons Noa and Mosazu, her brother-in-law Yosef and his wife Kyunghee, the growing circle of family and friends, and the yakuza Hansu, the man who set the saga in motion, as they survive living as second-class citizens of Japan in the twentieth-century.
This is a beautifully wrought family novel concentrating on the successes and tragedies of a single Korean family living in Osaka. Lee shows the reader in unflinching detail how poorly Koreans - even those born in Japan - are treated. The Japanese people brutally repressed non-Japanese ethnic minorities and denied Koreans good jobs, equal pay, fair housing, equality under the law, respect, and citizenship (gee, I wonder who else that sounds like...). There is a lot of concern about being one of the "good Koreans" rather than one of the "bad Koreans". Also very interesting is the almost constant undercurrent of "should we go back to Korea?" Even though life in Japan is hard, with no guarantee of success, there is the constant pull of the homeland as Korea remained divided between North and South against an almost certain belief that none of them would have survived had they stayed in Korea through World War II and the Korean War.
Much of the later plot revolves around the economics of the pachinko parlors of Japan. If you don't know much about pachinko the game, don't worry. After I read the book, I had to look up how the game worked so I'll give you the capsule summary. Pachinko seems to be an amalgam of pinball and slots (kind of) and leans more on chance not skill; after the balls are shot into the machine they bounce down from pin to pin, the object being to get them into a small cup to win a payout. So, fate. And life for Sunja and her family in the novel resembles the pachinko balls, bouncing from one pin to another in search of a better life.
Pachinko comes out tomorrow, February 7, wherever books are sold.
Dear FTC: I received a digital galley from the publisher via Edelweiss.
05 February 2017
Life in a small town takes a dark turn when mysterious footage begins appearing on VHS cassettes at the local Video Hut
Jeremy works at the counter of Video Hut in Nevada, Iowa. It’s a small town—the first “a” in the name is pronounced ay—smack in the center of the state. This is the late 1990s, pre-DVD, and the Hollywood Video in Ames poses an existential threat to Video Hut. But there are regular customers, a predictable rush in the late afternoon. It’s good enough for Jeremy: It’s a job; it’s quiet and regular; he gets to watch movies; he likes the owner, Sarah Jane; it gets him out of the house, where he and his dad try to avoid missing Mom, who died six years ago in a car wreck.
But when Stephanie Parsons, a local schoolteacher, comes in to return her copy of Targets, starring Boris Karloff—an old movie, one Jeremy himself had ordered for the store—she has an odd complaint: “There’s something on it,” she says, but doesn’t elaborate. Two days later, Lindsey Redinius brings back She’s All That, a new release, and complains that there’s something wrong with it: “There’s another movie on this tape.”
So Jeremy takes a look. And indeed, in the middle of the movie the screen blink dark for a moment and She’s All That is replaced by a black-and-white scene, shot in a barn, with only the faint sounds of someone breathing. Four minutes later, She’s All That is back. But there is something profoundly disturbing about that scene; Jeremy’s compelled to watch it three or four times. The scenes recorded onto Targets are similar, undoubtedly created by the same hand. Creepy. And the barn looks a lot like a barn just outside of town.
Jeremy doesn’t want to be curious. In truth, it freaks him out, deeply. This has gone far enough, maybe too far already. But Stephanie is pushing, and once Sarah Jane takes a look and becomes obsessed, there’s no more ignoring the disturbing scenes on the videos. And all of a sudden, what had once been the placid, regular old Iowa fields and farmhouses now feels haunted and threatening, imbued with loss and instability and profound foreboding. For Jeremy, and all those around him, life will never be the same . . .
The minute I saw that there was a book set in small town Iowa, by John Darnielle, with some weird Clerks crossed with The Ring plot, was like Give. It. To. Me. Now. I was very disappointed with the big "Iowa" book last year - The Readers of Broken Wheel Recommend - and hoped that the setting for Universal Harvester would ring true.
Universal Harvester is set in Nevada, IA - which is an actual town over by Ames in the center of the state - in the late 1990s. Jeremy's mom died in a car accident when he was a teen, he and his dad are just trying to get through each day, and while working at the Video Hut is fine for now, Jeremy really ought to start looking at getting a job with better potential. The daily Video Hut routine is interrupted one day by a customer complaining about a weird scene inserted into a copy of Targets. Soon another one surfaces in She's All That. The scenes are crude, black-and-white, in a barn, with creepy breathing and a hooded figure tied to a chair. The scenes are unsettling, disturbing. When Jeremy and his boss Sarah Jane begin investigating how many tapes have inserted "barn scenes", the rails come off their quiet Iowa lives.
John Darnielle, whose debut novel Wolf in White Van detailed the haunting life of a shut-in running a turn-by-mail RPG after two participants die trying to turn the game into live action, has perfectly captured the rural central Iowa countryside. He gets what it's like to live here, to drive out into the fields on two-lane blacktop or dirt roads during the growing season when the fields rarely have people in them. How eerie and quiet it is. The deadening of sound. (And if you're in the dark, how absolutely certain you get that The Children of the Corn might actually be real.) Darnielle also picked up on how Ames was growing out into the surrounding rural area in the 1990s, as did many other large Iowa cities, and how the balance between City and Country changed.
Universal Harvester of the strangest books I've ever read, but at the very end it all makes sense. The layers of the story twist and change as the characters themselves change and share perspectives during the story. The book's reality shifts but this isn't a book with supernatural elements. Right at the point I thought for sure someone was going to turn out to be a demon-possessed ax-murderer Darnielle pointed the story in another direction. An excellent reading experience.
Universal Harvester comes out in a few days on Tuesday, February 7!
Dear FTC: I received a digital galley from the publisher via NetGalley.
04 February 2017
Seven Minutes in Heaven by Eloisa James (Desperate Duchesses #9, Desperate Duchesses by the Numbers #3)
All of Eugenia Snowe’s problems start when Edward Reeve, an arrogant bastard son of an earl, bursts into her registry office. He wants a governess and he wants her. She gives him the governess he demands, but she refuses to give herself.
No question that Eugenia enjoys crossing wits with the brilliant inventor, but she will never tarnish her reputation with an affaire, particularly with a man who doesn’t realize she’s a lady!
She holds her ground…until he kidnaps her.
Ward will stop at nothing to convince Eugenia that they’re meant to be together. He promises her heaven.
She gives him seven minutes.
In the course of Eloisa James's Desperate Duchesses series, she introduced several children who have popped up as protagonists in later books. Thorn (Villiers's son Tobias) found his match with Lady Xenobia in Three Weeks with Lady X. Now Ward (the scamp Teddy from Desperate Duchesses) has met the one woman who can match wits with both himself and his new-found half-siblings: Lady Eugenia Strange, now the widowed Mrs. Eugenia Snowe (last seen as the brilliant Shakespeare-quoting moppet in Duchess by Night).
Ward's had a very trying year. First, he was falsely arrested and imprisoned by his fiancee's nefarious uncle to prevent their marriage (don't worry, Mia found her happily ever after in Four Nights with the Duke). Then, he was presented with his unknown half-siblings Otis and Lizzie when his deceased mother's theatrical troupe dropped by Oxford. He had to give up his professorship at Oxford due to said false jailing plus half-siblings. And now his harpy of a maternal grandmother, the Duchess of Gilner, is suing for custody of Otis and Lizzie on the basis that Ward is not a suitable guardian because his parents were never married (which is rich, considering that it is her daughter, Lady Lisette, who is the connecting parent and Ward's father is an earl). Ward is desperate for a Snowe's governess, those stoic, no-nonsense nannies that are guaranteed to bring hellions in line. Otis and Lizzie are sweet children, but dramatic recitations, Catholic-looking mourning veils, and a velvet-cloak-wearing rat named Jarvis test the nerves of the average governess. Unfortunately, their first Snowe's governess had an attack of nerves and quit. And their second Snowe's governess isn't working out....
Eugenia is a workaholic with a waiting list miles long for her trained governesses. She has no time for a rugged, brilliant, devious male (who for all that he is brilliant and rich he thinks she's a governess, more fool him) who makes her think of pleasure. He plies her with flattery. He plies her with pastries at Gunther's because he has deduced she has a sweet tooth that she keeps ruthlessly restrained. He kidnaps her (it's not bad, don't worry) with the help of Eugenia's assistant who has been pushing Eugenia to both take a vacation and have an affair. So Eugenia agrees to allow herself to be kidnapped, spend a fortnight in Oxford, help Otis and Lizzie become "Society" ready, and be passionately seduced by Ward before moving on with her life.
Things don't turn out as planned... (it's a romance novel, that always happens).
Seven Minutes in Heaven is a novel that brings together all the best of Eloisa James's writing talents: snappy, rapier-sharp dialogue, smart women, family dynamics, creative love scenes, grand gestures, and a healthy sprinkling of English playwriting. And cute animals. Ward and Eugenia toss lines and innuendo back and forth like Bogey and Bacall. I thought the pages would catch fire during one scene (that one in the dining room, yowza). Almost all of my favorite scenes involved Eugenia and Ward's little sister Lizzie quoting bits of Restoration drama and Shakespeare at one another (like I said, smart ladies). Eloisa's day job (awesome Shakespeare professor) has always slipped into her books in various ways and it makes them so very fun to read. [Go read The Taming of the Duke and then Etherege's play The Man of Mode because the intertextual mixing with Etherege and Shakespeare in the plot is awesome. And then go read some John Wilmot, while I'm recommending Restoration literature, because everyone needs some dirty poetry and puns.]
I think, although I might be wrong because I can't test the opposite idea, that this is a novel that works best if you have read Duchess by Night, Desperate Duchesses, and A Duke of Her Own. Because even though certain things are explained through out the course of Seven Minutes, there's a resonant effect that's missing if you haven't those three prior books. Eugenia is too rigidly proper in public and Ward too aggressively you-can't-hurt-me-if-I-don't-let-you as over-reactions to their childhoods. You don't get the full spectrum of Lady Lisette unless you read her on the page (and Seven Minutes gives some rather frightening dimensions to Lisette's behavior in A Duke of Her Own, holy cow).
Eugenia's side of the story was a perhaps a shade too Insta-Lusty for my usual taste, but in this instance it did work for a woman who keeps her sensual side tightly controlled. I loved the appearance of the Duke of Villiers, one of the best heroes (anti-hero? Cupid at times?) ever created; he gives the best advice and gets the best quips. Every one of Eloisa's Desperate Duchesses couples appears or is mentioned at some point. I loved it.
Seven Minutes in Heaven is out now from your favorite bookseller!
Dear FTC: I read an advance galley that I won in a giveaway and I also had a copy pre-ordered on my nook.
29 January 2017
Salt is a journey through warmth and sharpness. This collection of poetry explores the realities of multiple identities, language, diasporic life & pain, the self, community, healing, celebration, and love.
salt. is a self-published book of poems about the experience of being a woman of color, an African-american woman, of African descent, an immigrant, loving an immigrant, of ancestry. A few poems hit back hard at tourism by affluent whites to the poorer, browner areas of the world. I know very little about Nayyirah Waheed herself, her website and Goodreads Author page have no biographical information, so I have to read and interpret these poems without any knowledge of her influences. These poems are stark and raw but also beautiful. Waheed has taken great care not just with her imagery but also with the structure of these poems. Her line breaks are very precisely placed.
And now I come to the rub of publishing. I had to read this wonderful book via kindle app since there doesn't seem to be a way to get this elsewhere except from Amazon. Even my well-stocked, very-up-on-what's-popular-and-relevant local public library doesn't have a copy in either ebook or print. I have tried to order the book through my store's distributors - because we can order CreateSpace books if/when we can - but according to the distributor it isn't available anymore. However, checking the actual CreateSpace site reveals that the book is available to order and that CreateSpace is an Amazon subsidiary.... This is why I included the BN link above. Because of whatever decision made behind the scenes at Amazon/CreateSpace I have no way of getting paperback copies of salt. into my store to push into customers' hands. And I want to push this at everyone who comes in looking for Milk and Honey and Citizen because salt. should reach just as many readers as those books can. So please publishers, offer Waheed a P2P contract. She has a gift.
24 January 2017
We Were Feminists Once: From Riot Grrrl to CoverGirl®, the Buying and Selling of a Political Movement by Andi Zeisler
Feminism has hit the big time. Once a dirty word brushed away with a grimace, “feminist” has been rebranded as a shiny label sported by movie and pop stars, fashion designers, and multi-hyphenate powerhouses like Beyoncé. It drives advertising and marketing campaigns for everything from wireless plans to underwear to perfume, presenting what’s long been a movement for social justice as just another consumer choice in a vast market. Individual self-actualization is the goal, shopping more often than not the means, and celebrities the mouthpieces.
But what does it mean when social change becomes a brand identity? Feminism’s splashy arrival at the center of today’s media and pop-culture marketplace, after all, hasn’t offered solutions to the movement’s unfinished business. Planned Parenthood is under sustained attack, women are still paid 77 percent—or less—of the man’s dollar, and vicious attacks on women, both on- and offline, are utterly routine.
Andi Zeisler, a founding editor of Bitch Media, draws on more than twenty years’ experience interpreting popular culture in this biting history of how feminism has been co-opted, watered down, and turned into a gyratory media trend. Surveying movies, television, advertising, fashion, and more, Zeisler reveals a media landscape brimming with the language of empowerment, but offering little in the way of transformational change. Witty, fearless, and unflinching, We Were Feminists Once is the story of how we let this happen, and how we can amplify feminism’s real purpose and power.
We Were Feminists Once is a very accessible examination of the commodification of feminism through the last 30 years or so. A lot of thought is given to "choice" feminism and how that plays into brand marketing. The takeaway here is that it's much easier to put on a pair of sweats that say "feminist" on the butt than go to a march or have a nuanced discussion. Because "feminists" are still portrayed as baby-eating family-wreckers in the media rather than humans with equal standing (see also: the ERA).
Dear FTC: I borrowed this from the library.
23 January 2017
Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race by Margot Lee Shetterly
Set against the backdrop of the Jim Crow South and the civil rights movement, the never-before-told true story of NASA’s African-American female mathematicians who played a crucial role in America’s space program—and whose contributions have been unheralded, until now.
Before John Glenn orbited the Earth or Neil Armstrong walked on the moon, a group of professionals worked as “Human Computers,” calculating the flight paths that would enable these historic achievements. Among these were a coterie of bright, talented African-American women. Segregated from their white counterparts by Jim Crow laws, these “colored computers,” as they were known, used slide rules, adding machines, and pencil and paper to support America’s fledgling aeronautics industry, and helped write the equations that would launch rockets, and astronauts, into space.
Drawing on the oral histories of scores of these “computers,” personal recollections, interviews with NASA executives and engineers, archival documents, correspondence, and reporting from the era, Hidden Figures recalls America’s greatest adventure and NASA’s groundbreaking successes through the experiences of five spunky, courageous, intelligent, determined, and patriotic women: Dorothy Vaughan, Mary Jackson, Katherine Johnson, Christine Darden, and Gloria Champine.
Moving from World War II through NASA’s golden age, touching on the civil rights era, the Space Race, the Cold War, and the women’s rights movement, Hidden Figures interweaves a rich history of scientific achievement and technological innovation with the intimate stories of five women whose work forever changed the world—and whose lives show how out of one of America’s most painful histories came one of its proudest moments.
There isn't much more about Hidden Figures that I could say and not have it been said by about ten other people already. This is such an amazing untold story about the black women who literally did the math that made the space program possible. They could have broken or bailed or given up so many times in the face of discrimination on two fronts. But they didn't. And we are so much richer for their perseverance.
Dear FTC: I received a review copy of this book from the publisher.
22 January 2017
The Secret Loves of Geek Girls is a non-fiction anthology mixing prose, comics, and illustrated stories on the lives and loves of an amazing cast of female creators. Featuring work by Margaret Atwood (The Heart Goes Last), Mariko Tamaki (This One Summer), Trina Robbins (Wonder Woman), Marguerite Bennett (Marvel's A-Force), Noelle Stevenson (Nimona), Marjorie Liu (Monstress), Carla Speed McNeil (Finder), and over fifty more creators. It's a compilation of tales told from both sides of the tables: from the fans who love video games, comics, and sci-fi to those that work behind the scenes: creators and industry insiders.
A very diverse (both in creators and contents) anthology of "geek" ladies' origin stories, worries about relationships, identities, dating, and fandom. Some pieces are straight prose, some comics, some feel more like short fiction, some confessional memoir. Loved it.
(Our buyers put this in Graphic Novels but it really feels like Women's Studies would be a better fit.)
Dear FTC: I bought my copy of this book.
21 January 2017
In Jane Austen’s works, a name is never just a name. In fact, the names Austen gives her characters and places are as rich in subtle meaning as her prose itself. Wiltshire, for example, the home county of Catherine Morland in Northanger Abbey, is a clue that this heroine is not as stupid as she seems: according to legend, cunning Wiltshire residents caught hiding contraband in a pond capitalized on a reputation for ignorance by claiming they were digging up a “big cheese”—the moon’s reflection on the water’s surface. It worked.
In Jane Austen’s Names, Margaret Doody offers a fascinating and comprehensive study of all the names of people and places—real and imaginary—in Austen’s fiction. Austen’s creative choice of names reveals not only her virtuosic talent for riddles and puns. Her names also pick up deep stories from English history, especially the various civil wars, and the blood-tinged differences that played out in the reign of Henry VIII, a period to which she often returns. Considering the major novels alongside unfinished works and juvenilia, Doody shows how Austen’s names signal class tensions as well as regional, ethnic, and religious differences. We gain a new understanding of Austen’s technique of creative anachronism, which plays with and against her skillfully deployed realism—in her books, the conflicts of the past swirl into the tensions of the present, transporting readers beyond the Regency.
Full of insight and surprises for even the most devoted Janeite, Jane Austen’s Names will revolutionize how we read Austen’s fiction.
Jane Austen's Names is a book I didn't even know I needed until I saw it on the shelf at Prairie Lights. Come to mama, Jane Austen literary criticism nerd book.
I ❤❤ this book a lot - the minutiae of place names and personal names and etymology and how that commented on Austen's characterizations was so great. She gets in a little dig at naming conventions in historical romance novels (which I totally get - sometimes those names are buh-nanas). Recommended for Austen fans and people super-into English history. It's not quite perfect - there's a huge late digression during a discussion of place names in Mansfield Park which has an interesting premise but it feels much longer that discussion of the other novels so feels out of place (I could be biased, MP is not my favorite Austen novel). (And a strange statement about Erotic love in the Conclusion that seems to come out of nowhere....)
Finished book 1 of #24in48readathon! (Whee, academic writing makes for slow reading - BUT it was a good pick for Readathon since I was making time for long stretches of reading, which is what this book needed.)
Dear FTC: I bought my copy of this book OF COURSE.