Showing posts with label Clear Off Shelves Challenge. Show all posts
Showing posts with label Clear Off Shelves Challenge. Show all posts
30 November 2009
Wrapping up the "Clear Off Your Shelves Challenge"!
It's November 30 and the "Clear Off Your Shelves Challenge" hosted by Swapna must come to a close. I think I bought more new books than old books I read but at least the batch I read are.....read. And done. Obviously my ability write decently is currently on hiatus.
Moving on. My challenge goal was fifty-percent; I could have gone higher but I was playing it safe. Here's what I read that counted toward the challenge:
The Link
The Oracle
The Invention of Air
Roseanna
Shakespeare: The Invention of the Human
The Other
The Film Club
The Best American Science Writing 2009
The Best American Science and Nature Writing 2009
The Mysteries of Udolpho
Harry Potter's Bookshelf
Pride and Prejudice and Zombies
The Best American Essays 2009
The Post-American World
The Best American Essays 2008
And Then There Were None
A Beautiful Blue Death
I didn't count these titles in the challnge (hey, I didn't have many review copies so I had to make a delineation somewhere):
The Children's Book (purchased after the challenge started)
Wolf Hall (purchased after the challenge started)
Hush, Hush (an ARC I've only had since August but wanted to be rid of)
The Mill on the Floss (review copy sent to me by BNBC)
So...17 out of 21 is 80.95%. Yay! I did very well. Next time I'm going to raise my goal, particularly if I don't have many review copies hanging about to be read.
A Beautiful Blue Death
I picked up A Beautiful Blue Death by Charles Finch last year as part of a buy-2-get-1 deal (the "get 1" part was Interred With Their Bones and I thought that one was terrible). Victorian mystery/Sherlock Holmes-type sleuth, poison, intrigue....I'm up for a bit of mystery reading. It sounds like a nice cold-weather-warm-blanket-and-tea book.
To set up the story a bit, because there is a lot of exposition scattered throughout the book, Charles Lenox is the younger son of a baronet (who actually does have enough money to allow Charles a life of leisure) and spends much of his time as an amateur detective and archaeologist. He lives next door to a childhood sweetheart, Lady Jane Gray (who isn't quite the staid Victorian matron), has a very good relationship with his butler/valet, Graham, and has successfully solved several cases prior to the opening of A Beautiful Blue Death. Lenox has an eccentric-ish brother, Edmund, a bumbling Scotland Yard inspector, Exeter, and a very good friend who happens to be an experienced physician, McConnel, married to a pretty woman, Toto (Victoria). Lenox is also very observant, to the point of noting an MP would probably switch constituencies based on the change of pocket-watch displayed. Can you see all the Sherlock parallels? Watson, Mycroft, Mrs. Watson, Irene Adler, Lestraude? Although the story is quite well-written and very enjoyable I probably would have quit reading if Lenox had turned out to both play the violin at all hours and go masquerading as an opium-den denzien (it is acknowledged that Lenox has disguised himself in prior cases but does not do so during this book).
Finch uses a deft hand to bring 1860s London to life as well as the politics of the day (politics and financial hanky-panky are very closely tied in this book). There is also a considerable amount of musing on the problem of poverty and social class which was quite well-written and didn't intrude on the storyline. Lenox does fret a bit too much over his friend McConnell's relationship with the gin bottle, in my opinion, but it at least doesn't go too far into modern psychological thinking.
There is one grating scene about three chapters from the end of the novel. Lenox receives a telegram update about one of the major players in the mystery and Finch suddenly follows this character through the rest of his lifetime in the next two pages. The final meeting of this character and Lenox, about 30 years after the scene were Lenox receives the telegram, is even described. It's very wierd, makes very little practical sense, stops the falling action of the book, and then the next chapter opening doesn't even resume the action smoothly. Definitely needed more editing for that bit because it really set my teeth on edge.
I am still interested in the series so at some point I'll pick up The September Society.
Clear Off Your Shelves Challenge Count: 17/21
To set up the story a bit, because there is a lot of exposition scattered throughout the book, Charles Lenox is the younger son of a baronet (who actually does have enough money to allow Charles a life of leisure) and spends much of his time as an amateur detective and archaeologist. He lives next door to a childhood sweetheart, Lady Jane Gray (who isn't quite the staid Victorian matron), has a very good relationship with his butler/valet, Graham, and has successfully solved several cases prior to the opening of A Beautiful Blue Death. Lenox has an eccentric-ish brother, Edmund, a bumbling Scotland Yard inspector, Exeter, and a very good friend who happens to be an experienced physician, McConnel, married to a pretty woman, Toto (Victoria). Lenox is also very observant, to the point of noting an MP would probably switch constituencies based on the change of pocket-watch displayed. Can you see all the Sherlock parallels? Watson, Mycroft, Mrs. Watson, Irene Adler, Lestraude? Although the story is quite well-written and very enjoyable I probably would have quit reading if Lenox had turned out to both play the violin at all hours and go masquerading as an opium-den denzien (it is acknowledged that Lenox has disguised himself in prior cases but does not do so during this book).
Finch uses a deft hand to bring 1860s London to life as well as the politics of the day (politics and financial hanky-panky are very closely tied in this book). There is also a considerable amount of musing on the problem of poverty and social class which was quite well-written and didn't intrude on the storyline. Lenox does fret a bit too much over his friend McConnell's relationship with the gin bottle, in my opinion, but it at least doesn't go too far into modern psychological thinking.
There is one grating scene about three chapters from the end of the novel. Lenox receives a telegram update about one of the major players in the mystery and Finch suddenly follows this character through the rest of his lifetime in the next two pages. The final meeting of this character and Lenox, about 30 years after the scene were Lenox receives the telegram, is even described. It's very wierd, makes very little practical sense, stops the falling action of the book, and then the next chapter opening doesn't even resume the action smoothly. Definitely needed more editing for that bit because it really set my teeth on edge.
I am still interested in the series so at some point I'll pick up The September Society.
Clear Off Your Shelves Challenge Count: 17/21
And Then There Were None
"Literature by Women" scheduled Agatha Christie's murder-mystery, set on an isolated island, for November 2009 (meaning I scheduled it after the group voted because I'm the moderator). This wasn't the first read-through the novel for me; I read it in high school when we did Ten Little Indians in the play adaptation and I've read it a few times since then. And Then There Were None is truly a masterwork in the mystery/thriller/crime genre.
Without spoiling too much of the plot I can say that I always puzzle over how the reader is supposed to figure out the identity of the murderer before the end of the story (and before the epilogue starts). The prose is very spare and Christie does not allow the omniscient narrator to get inside the murderer's head. On this read through, actually, it was the final flip-through before returning the book to the shelf until next time, I think I might have caught onto Christie's very small clue. I think the ability of the reader to solve the puzzle rests on the amount and type of internal dialogue made available to the reader. How one is supposed to catch it on a first read (or second or third, for that matter) I don't know but I would need to read through the book again specifically to take note of the internal dialogue.
Project for next time. Haha.
Clear Off Your Shelves Challenge Count: 16/20
Without spoiling too much of the plot I can say that I always puzzle over how the reader is supposed to figure out the identity of the murderer before the end of the story (and before the epilogue starts). The prose is very spare and Christie does not allow the omniscient narrator to get inside the murderer's head. On this read through, actually, it was the final flip-through before returning the book to the shelf until next time, I think I might have caught onto Christie's very small clue. I think the ability of the reader to solve the puzzle rests on the amount and type of internal dialogue made available to the reader. How one is supposed to catch it on a first read (or second or third, for that matter) I don't know but I would need to read through the book again specifically to take note of the internal dialogue.
Project for next time. Haha.
Clear Off Your Shelves Challenge Count: 16/20
22 November 2009
The Best American Essays 2008
The 2008 edition of The Best American Essays, edited by Adam Gopnik, has a very different composition from the 2009 edition, edited by Mary Oliver. The Oliver-selected essays were on the whole quite short, a few jotted thoughts encompassing a complete idea whereas the Gopnik-selected essays are much longer, extended meditations. I had to read a different way (if that makes any sense).
Gopnik opens the volume by defining three types of essays - review essays, memoir essays, and odd-object essays - and notes that the essay must always hybridize with other forms and genres to stay alive. Huh. I do think that's true and the essays Gopnik chose for this volume run to many forms including "Solipsism" by Ander Monson that falls under something more akin to an art form with words (like a letter-press broadside) combined with Word Mark-ups (very interesting).
Jonathan Lethem contributed what was probably my favorite essay "The Ecstacy of Influence: A Plagiarism" about (primarily) how art is created by riffing off extant works and current copyright law/lawsuits about intellectual propterty rights endanger that. To make his case, Lethem includes a "Key: I is Another" at the end of the main body of the essay:
Gopnik included a number of odd-object essays on beading ("On Necklaces" by Emily R.Grosholz), Leica cameras ("Candid Camera" by Anthony Lane), buzzards ("Buzzards" by Lee Zacharias - but also morphs into a memoir essay), and an old boarding house with its occupants ("This Old House" by David Sedaris that is both funny and sad at the same time). As I noted with the Zacharias piece, most of the odd-object essays are crossed with memoir because each author has a connection with the object at hand; it's like Heiddegger's observation that the act of observation changes the subject (and the author in this case). The most interesting odd-object essay came from Rich Cohen who contributed "Becoming Adolf" in which he meditated on moustache types and his experiment with wearing a toothbrush (aka Hitler) moustache.
Atul Gawande made an appearance (surprisingly, I would have thought this would be for the Science and Nature Writing volume) with an essay titled "The Way We Age Now" about the aging US population and diminishing quality of geriatric (aka Older Adult Health) medical care. Gawande profiles Dr. Felix Silverstone, a leading researcher in geriatrics for fifty years who recently retired at the age of 82 and understands all to well what is happening to his body, health, and mind. This was the most affecting essay in the collection, for me, because Dr. Silverstone reminded me of my 83 year old grandfather who is still fiercely independent, goes to work everyday at his lumberyard (even though my uncle "owns" and "operates" it now), drives his Caddy all over hill and dale, and is sharp as a tack. When I get old, I want to be like my grandfather. It is concerning that the population in the US is graying and aging rapidly but the ability of the healthcare system to continue to offer quality medical care specialized to the elderly is failing. Very, very scary.
I'm off to my next volume in my Best American Series project. I'm about to be aided by a massive used book buy from Alibris (free shipping from Alibris's warehouse + 15% off coupon = 32 trade paperback for less than $55; genius)
Clear Off Your Shelves Challenge Count: 15/19
Gopnik opens the volume by defining three types of essays - review essays, memoir essays, and odd-object essays - and notes that the essay must always hybridize with other forms and genres to stay alive. Huh. I do think that's true and the essays Gopnik chose for this volume run to many forms including "Solipsism" by Ander Monson that falls under something more akin to an art form with words (like a letter-press broadside) combined with Word Mark-ups (very interesting).
Jonathan Lethem contributed what was probably my favorite essay "The Ecstacy of Influence: A Plagiarism" about (primarily) how art is created by riffing off extant works and current copyright law/lawsuits about intellectual propterty rights endanger that. To make his case, Lethem includes a "Key: I is Another" at the end of the main body of the essay:
This key to the preceding essay names the source of every line I stole, warped, and cobbled together as I "wrote" (except, alas, those sources I forgot along the way). First uses of a given author or speaker are highlighted in bold. Nearly every sentence I culled I also revised, at least slightly - for necessities of space, in order to produce a more consistent tone, or simply because I felt like it. (p 125)Lethem follows that up with a "Key to the Key." It's a very enjoyable essay, meta and tongue-in-cheek at times, but right to the point as regards the limiting nature of "possessing" but not sharing a work of art.
Gopnik included a number of odd-object essays on beading ("On Necklaces" by Emily R.Grosholz), Leica cameras ("Candid Camera" by Anthony Lane), buzzards ("Buzzards" by Lee Zacharias - but also morphs into a memoir essay), and an old boarding house with its occupants ("This Old House" by David Sedaris that is both funny and sad at the same time). As I noted with the Zacharias piece, most of the odd-object essays are crossed with memoir because each author has a connection with the object at hand; it's like Heiddegger's observation that the act of observation changes the subject (and the author in this case). The most interesting odd-object essay came from Rich Cohen who contributed "Becoming Adolf" in which he meditated on moustache types and his experiment with wearing a toothbrush (aka Hitler) moustache.
Atul Gawande made an appearance (surprisingly, I would have thought this would be for the Science and Nature Writing volume) with an essay titled "The Way We Age Now" about the aging US population and diminishing quality of geriatric (aka Older Adult Health) medical care. Gawande profiles Dr. Felix Silverstone, a leading researcher in geriatrics for fifty years who recently retired at the age of 82 and understands all to well what is happening to his body, health, and mind. This was the most affecting essay in the collection, for me, because Dr. Silverstone reminded me of my 83 year old grandfather who is still fiercely independent, goes to work everyday at his lumberyard (even though my uncle "owns" and "operates" it now), drives his Caddy all over hill and dale, and is sharp as a tack. When I get old, I want to be like my grandfather. It is concerning that the population in the US is graying and aging rapidly but the ability of the healthcare system to continue to offer quality medical care specialized to the elderly is failing. Very, very scary.
I'm off to my next volume in my Best American Series project. I'm about to be aided by a massive used book buy from Alibris (free shipping from Alibris's warehouse + 15% off coupon = 32 trade paperback for less than $55; genius)
Clear Off Your Shelves Challenge Count: 15/19
11 November 2009
The Post-American World
I picked up Fareed Zakaria's The Post-American World last November when it had a lot of momentum. I also bought Naomi Klein's The Shock Doctrine at the same time. I had The Shock Doctrine done by Thanksgiving - and then spent the holiday car-ride to my grandfather's house discussing the points of the book with my father - but the Zakaria....
I had to force myself to go back and finish this. I find that his outlook is a little too "rose-colored glasses" or "glass is half-full" for my taste. With the economic downturn I think we have to look critically at the US economic policies, which have obviously been allowed to run amok with little oversight, and acknowledge that the "American way" is not the only way. Zakaria also seems to favor remnants of colonialism, pointing out the similarities and differences between the US and British Imperialism, which is a bit stale given most countries' nationalist tendencies. Zakaria also praises the work of Margaret Thatcher, yes, the "Iron Lady" who revived the UK economy with her "reforms;" last time I checked, Thatcher treated a lot of working-class people as less than human with her "reforms" and privatization and I think that is reprehensible. One of the only things I found applicable in Zakaria's book was the idea that the US isn't falling behind as many alarmists like to point out - it's just that many countries are just now catching up to the US and taking a larger piece of the pie. Maybe we need to learn to share the sandbox.
This isn't a terrible book, but I just didn't care about any of his points after a while. Particularly the last chapter with it's numbered, bulleted list - I had started skimming the book by then. So, I'm pretty "blah"/"meh" about this book. If you want a sunny outlook about the US, read Zakaria. If you want to make your hair stand on end and get all worked up about US economic practices, read the Wolf.
Clear Off Your Shelves Reading Challenge: 14/18
I had to force myself to go back and finish this. I find that his outlook is a little too "rose-colored glasses" or "glass is half-full" for my taste. With the economic downturn I think we have to look critically at the US economic policies, which have obviously been allowed to run amok with little oversight, and acknowledge that the "American way" is not the only way. Zakaria also seems to favor remnants of colonialism, pointing out the similarities and differences between the US and British Imperialism, which is a bit stale given most countries' nationalist tendencies. Zakaria also praises the work of Margaret Thatcher, yes, the "Iron Lady" who revived the UK economy with her "reforms;" last time I checked, Thatcher treated a lot of working-class people as less than human with her "reforms" and privatization and I think that is reprehensible. One of the only things I found applicable in Zakaria's book was the idea that the US isn't falling behind as many alarmists like to point out - it's just that many countries are just now catching up to the US and taking a larger piece of the pie. Maybe we need to learn to share the sandbox.
This isn't a terrible book, but I just didn't care about any of his points after a while. Particularly the last chapter with it's numbered, bulleted list - I had started skimming the book by then. So, I'm pretty "blah"/"meh" about this book. If you want a sunny outlook about the US, read Zakaria. If you want to make your hair stand on end and get all worked up about US economic practices, read the Wolf.
Clear Off Your Shelves Reading Challenge: 14/18
08 November 2009
The Best American Essays 2009
My decision to start my Best American project was made when I read the first essay in The Best American Essays 2009; Sue Allison's short meditation on words - Taking a Reading from Mid-American Review - knocked my socks off. If this is what I'm missing every year I need to read more. More, more, more.
This a slim volume - less than 200 pages - and every essay Mary Oliver picked was a gem. Richard Rodriguez meditates on the desert religions of the Holy Land in The God of the Desert, Gregory Orr relates a harrowing personal episode in Return to Hayneville, and Michael Lewis tells of his family's sojourn in The Mansion: A Subprime Parable. Kathyrn Miles brings Darwin's canine companion, Dolly, to life in Dog is Our Copilot and Jill McCorkle observes the uses of profanity in Cuss Time.
Most enjoyable was John Updike's essay The Writer in Winter, almost heart-breaking in the honesty of an aging writer's essay:
I want more.
Clear Off Your Shelves Challenge Count: 13/17
This a slim volume - less than 200 pages - and every essay Mary Oliver picked was a gem. Richard Rodriguez meditates on the desert religions of the Holy Land in The God of the Desert, Gregory Orr relates a harrowing personal episode in Return to Hayneville, and Michael Lewis tells of his family's sojourn in The Mansion: A Subprime Parable. Kathyrn Miles brings Darwin's canine companion, Dolly, to life in Dog is Our Copilot and Jill McCorkle observes the uses of profanity in Cuss Time.
Most enjoyable was John Updike's essay The Writer in Winter, almost heart-breaking in the honesty of an aging writer's essay:
With ominous frequency, I can't think of the right word. I know there is a word; I can visualize the exact shape it occupies in the jigsaw puzzle of the English language. But the word itself, with its precise edges and unique tint of meaning, hangs on the misty rim of consciousness (pp 173-174).
I want more.
Clear Off Your Shelves Challenge Count: 13/17
05 November 2009
Pride and Prejudice and Zombies
I picked up Pride and Prejudice and Zombies in April when it came out. I have a long-standing loathing of any and all Austen "sequels", "prequels", adaptations, re-tellings, etc. because all lack the Austen sparkle, that touch of everyday life with biting irony and observation. Not to mention many either devolve into bodice rippers (for serious?) or put the characters in situations that would NEVER have made it to print in Regency England (a homosexual sex ring, for instance). PPZ, on the other hand, admitted up front that at least 80% of the original novel had been retained with the zombie plot laid over it - I'll give that a try.
PPZ is pretty funny - it is a parody/mash-up after all - and doesn't take itself seriously (which was nice because so many of the Austen-hangers-on do take themselves seriously). There are some scenes I really didn't think necessary (Mr. Bennet calling Mrs. Bennet an "old cur" is one of them) but some scenes were hysterical. My favorite scene was the one where Lizzie first visits Rosings and gets interrogated by Lady Catherine, only in this version it's not "governesses" who are the issue it's "ninjas," and the scene is played almost completely straight. Very, very funny. The author also gave a few people a decent comeuppance *cough*Mr. Wickam*cough* that was just a little more satisfying than in the original because Grahame-Smith does have the advantage of nearly 200 years of psychological and literary development at his disposal.
I had a lot of fun reading PPZ. It was a very fast read, even for me, since I know the original Pride and Prejudice inside out. While I had a good laugh reading PPZ I really wasn't so impressed with it. It's a funny mash-up but it wasn't so fantastic that Sense and Sensibility and Sea Monsters or Abraham Lincoln, Vampire Hunter are necessary. Funny, but not really something I want to read again.
Clear Off Your Shelves Challenge Count: 12/16
PPZ is pretty funny - it is a parody/mash-up after all - and doesn't take itself seriously (which was nice because so many of the Austen-hangers-on do take themselves seriously). There are some scenes I really didn't think necessary (Mr. Bennet calling Mrs. Bennet an "old cur" is one of them) but some scenes were hysterical. My favorite scene was the one where Lizzie first visits Rosings and gets interrogated by Lady Catherine, only in this version it's not "governesses" who are the issue it's "ninjas," and the scene is played almost completely straight. Very, very funny. The author also gave a few people a decent comeuppance *cough*Mr. Wickam*cough* that was just a little more satisfying than in the original because Grahame-Smith does have the advantage of nearly 200 years of psychological and literary development at his disposal.
I had a lot of fun reading PPZ. It was a very fast read, even for me, since I know the original Pride and Prejudice inside out. While I had a good laugh reading PPZ I really wasn't so impressed with it. It's a funny mash-up but it wasn't so fantastic that Sense and Sensibility and Sea Monsters or Abraham Lincoln, Vampire Hunter are necessary. Funny, but not really something I want to read again.
Clear Off Your Shelves Challenge Count: 12/16
03 November 2009
The Mill on the Floss/Frankenstein
Being behind on BNBC "Literature by Women" reviews I'm going to take care of two books in one post. These will be quick.
The Mill on the Floss - A nice change for an October read when everything else is on the supernatural/horror side of fiction. This is an autobiographical (to some extent) novel and Eliot does quite a good job contrasting the situation of girls/women who don't meet society's standard (Maggie, aka Eliot herself) with girls/women who embody the societal ideal (Lucy) and the freedom allowed to boys (Tom). Although the ending seems a bit convenient, according to Eliot she had that scene down first and then tailored the narrative to fit the ending. A plus with this novel is the beautiful nature imagery Eliot uses when speaking of life on the River Floss.
Frankenstein - A hold-over from September (oops). There isn't much I can add to any discussion of this novel. What I can say is that once the novice reader can get past the nested story-within-a-story-within-a-story it is well-worth reading the Monster's tale because it draws from so much of the metaphysical and scientific discussion at the famous Lake Geneva sojurn with Polidori, Shelley, and Byron.
Clear Off Your Shelves Challenge Count: 11/15
*Frankenstein doesn't count for this challenge, being read in September
The Mill on the Floss - A nice change for an October read when everything else is on the supernatural/horror side of fiction. This is an autobiographical (to some extent) novel and Eliot does quite a good job contrasting the situation of girls/women who don't meet society's standard (Maggie, aka Eliot herself) with girls/women who embody the societal ideal (Lucy) and the freedom allowed to boys (Tom). Although the ending seems a bit convenient, according to Eliot she had that scene down first and then tailored the narrative to fit the ending. A plus with this novel is the beautiful nature imagery Eliot uses when speaking of life on the River Floss.
Frankenstein - A hold-over from September (oops). There isn't much I can add to any discussion of this novel. What I can say is that once the novice reader can get past the nested story-within-a-story-within-a-story it is well-worth reading the Monster's tale because it draws from so much of the metaphysical and scientific discussion at the famous Lake Geneva sojurn with Polidori, Shelley, and Byron.
Clear Off Your Shelves Challenge Count: 11/15
*Frankenstein doesn't count for this challenge, being read in September
Harry Potter's Bookshelf
Right before the seventh Harry Potter book was released I read an interesting collection of literary criticism, The Ivory Tower and Harry Potter, edited by Laura Whited. The ideas that came from academic articles were very interesting - some reinforced connections I had made with the Harry Potter books, others presented new ideas (I keep hoping Whited will publish a new edition of her book with essays and articles encomapssing all seven books). When John Granger published Harry Potter's Bookshelf, a piece more on the literary criticism side than the religious side, I was really eager to pick it up.
Granger presents some interesting parallels between JKR's seven novels and other literary tropes and genres. I hadn't even thought of the "school-boy" novel, which Harry Potter and the Sorcerer's Stone fits perfectly, because I hadn't read Tom Brown's School Days or any other novels in the boarding school genre. Granger also ties the three stages of alchemy - nigredo, albedo, and rubedo - into the three final books in the series. It's very interesting how the principles dovetail with the narrative.
The one thing I wished this book had was a little more meat. Granger's theories seem well-supported in some chapters, like the alchemy one, but are superficial in others, the Austen chapter in particular. It seemed a little "lit crit lite," more for the layman than the serious scholar which is something I find irritating, like the writer assumes you can't handle and indepth discussion. Granger splits between good texutal analysis and tangential conjecture; while the book was enjoyable I just wish there had been a little more.
Clear Off Your Shelves Challenge Count: 11/14
Granger presents some interesting parallels between JKR's seven novels and other literary tropes and genres. I hadn't even thought of the "school-boy" novel, which Harry Potter and the Sorcerer's Stone fits perfectly, because I hadn't read Tom Brown's School Days or any other novels in the boarding school genre. Granger also ties the three stages of alchemy - nigredo, albedo, and rubedo - into the three final books in the series. It's very interesting how the principles dovetail with the narrative.
The one thing I wished this book had was a little more meat. Granger's theories seem well-supported in some chapters, like the alchemy one, but are superficial in others, the Austen chapter in particular. It seemed a little "lit crit lite," more for the layman than the serious scholar which is something I find irritating, like the writer assumes you can't handle and indepth discussion. Granger splits between good texutal analysis and tangential conjecture; while the book was enjoyable I just wish there had been a little more.
Clear Off Your Shelves Challenge Count: 11/14
02 November 2009
The Mysteries of Udolpho
I had to go back and re-read this since I'd plowed through it for LbW moderating duties before December 2008; I hadn't had much chance to enjoy it then.
There is quite a bit to enjoy about The Mysteries of Udolpho. Radcliffe does conjure up beautiful French and Italian countrysides, creepy castles with labryinthine secret passages, and myriad sunrises and sunsets to admire. There is a lot of atmosphere in the book and I do appreciate that (ooooh, the black veil, creepy). The heroine Emily St. Aubert I do not appreciate quite so much; she faints a lot and cries a lot and writes the eighteenth-century equivalent of emo teenager poetry (Valancourt isn't much better but at least he doesn't swoon all the time).
That being said I think it is important for anyone who reads Jane Austen, the Brontes, Dickens, etc., to read The Mysteries of Udolpho. Austen was heavily indebted to Radcliffe in the composition of Northanger Abbey (even to the point of Catherine reading Udolpho on Isabella's recommendation) and the long Gothic novel helped usher in the vogue for novels like Wuthering Heights, Jane Eyre, The Tenant of Wildfell Hall, Bleak House, and Little Dorrit. I found I had to put myself into the mindset of an eighteenth-century, sheltered, middlingly educated, young woman to really enjoy Udolpho fully; that mindset finds mystery and enchantment in the writing whereas my twenty-first century sensibilities are wondering why anyone would subject themselves to that nut Montoni for any longer than thirty seconds or start fantasizing about pushing Emily off the nearest parapet so we don't have to listen to her anymore.
Clear Off Your Shelves Challenge Count: 10/13
There is quite a bit to enjoy about The Mysteries of Udolpho. Radcliffe does conjure up beautiful French and Italian countrysides, creepy castles with labryinthine secret passages, and myriad sunrises and sunsets to admire. There is a lot of atmosphere in the book and I do appreciate that (ooooh, the black veil, creepy). The heroine Emily St. Aubert I do not appreciate quite so much; she faints a lot and cries a lot and writes the eighteenth-century equivalent of emo teenager poetry (Valancourt isn't much better but at least he doesn't swoon all the time).
That being said I think it is important for anyone who reads Jane Austen, the Brontes, Dickens, etc., to read The Mysteries of Udolpho. Austen was heavily indebted to Radcliffe in the composition of Northanger Abbey (even to the point of Catherine reading Udolpho on Isabella's recommendation) and the long Gothic novel helped usher in the vogue for novels like Wuthering Heights, Jane Eyre, The Tenant of Wildfell Hall, Bleak House, and Little Dorrit. I found I had to put myself into the mindset of an eighteenth-century, sheltered, middlingly educated, young woman to really enjoy Udolpho fully; that mindset finds mystery and enchantment in the writing whereas my twenty-first century sensibilities are wondering why anyone would subject themselves to that nut Montoni for any longer than thirty seconds or start fantasizing about pushing Emily off the nearest parapet so we don't have to listen to her anymore.
Clear Off Your Shelves Challenge Count: 10/13
01 November 2009
The Best Science Writing 2009 - Times 2!
One of my more recent goals is to read more science writing (when I start eyeballing my old physics textbook I know it's been a while since I did any serious science reading). Conveniently, the "best" collections were published recently and I picked up two of them: The Best American Science Writing 2009 edited by Natalie Angier and The Best American Science and Nature Writing 2009 (from the "Best American Series") edited by Elizabeth Kolbert. Definitely a good place to start.
There is an overlap of three essays between the two volumes, which isn't too bad considering the two series have different editors and publishers: Atul Gawande "The Itch," J. Madeline Nash "Back to the Future," and David Quammen "Contagious Cancer." Another overlap occured in two articles on verbal language in animals where Alex, the chatty African Gray parrot owned by Irene Pepperberg, took center stage and in two articles on recycling human waste. Oliver Sachs and Gary Wolf each had different articles in the two volumes (does that make sense?).
Of the two volumes, the Kolbert-helmed book has the better breadth of topics in my opinion ranging from biomedical questions to psychology to economics (an odd choice, but appropriate for a science volume) to paleontology to theoretical physics. Even the physics articles were well-chosen because they were well-written and easy to understand. Nicholas Carr's reflective piece "Is Google Making Us Stupid?" was a very thought-provoking essay, as well as Benjamin Phelan's thoughts on human evolution, and Michelle Nijuis's essay "Taking Wildness in Hand" about deliberate relocation of species to avoid extinction.
I also didn't understand the arrangement of articles in the Angier volume. Kolbert went for a straightforward alphabetical-by-author arrangement but I couldn't tell if Angier had arranged the articles to flow from one discipline to the next or had put her favorite article first (the Gawande) because the arrangement just didn't make any sense. It didn't lend to easy reading because I assumed there was a flow to the Angier....and there was none. With the Kolbert I knew there was no superimposed order beyond the alphabet so I felt I could pick and choose my way through the book until I read all the articles.
Angier included two articles in her volume that I didn't quite see as necessary to the best science writing of the year: Theresa Brown's article about learning to enjoy life through caring for a dying woman (didn't quite find the point) and Dennis Overbye's piece about theoretical cosmology which was actually pretty hard to read (meaning I thought it could be done better). Angier did include a wonderful piece about cataloging the evidence of physical torture, Jina Moore's "Reading the Body" which was beautifully written and highlights the problem of "proof" for torture victims.
The best essay overall was Atul Gawande's "The Itch" - included in both volumes for good reason. He has a great writing style and covers a particular conundrum in cognition - how the brain interprets itch signals - beginning with the case-study of a woman who had unrelenting scalp itch causing her to scratch through her skull into her brain. Freaky, right? Go read the article to find out how her condition is treated.
I think I should go back and get the other Science and Nature volumes of the Best American Series - I really enjoyed Kolbert's work (she's featured in earlier volumes as a contributor) and Mobute recommended the article "Ask the Bird People" from the 2004 collection. They're all still available, too.
Clear Off Your Shelves Challenge Count: 9/12
There is an overlap of three essays between the two volumes, which isn't too bad considering the two series have different editors and publishers: Atul Gawande "The Itch," J. Madeline Nash "Back to the Future," and David Quammen "Contagious Cancer." Another overlap occured in two articles on verbal language in animals where Alex, the chatty African Gray parrot owned by Irene Pepperberg, took center stage and in two articles on recycling human waste. Oliver Sachs and Gary Wolf each had different articles in the two volumes (does that make sense?).
Of the two volumes, the Kolbert-helmed book has the better breadth of topics in my opinion ranging from biomedical questions to psychology to economics (an odd choice, but appropriate for a science volume) to paleontology to theoretical physics. Even the physics articles were well-chosen because they were well-written and easy to understand. Nicholas Carr's reflective piece "Is Google Making Us Stupid?" was a very thought-provoking essay, as well as Benjamin Phelan's thoughts on human evolution, and Michelle Nijuis's essay "Taking Wildness in Hand" about deliberate relocation of species to avoid extinction.
I also didn't understand the arrangement of articles in the Angier volume. Kolbert went for a straightforward alphabetical-by-author arrangement but I couldn't tell if Angier had arranged the articles to flow from one discipline to the next or had put her favorite article first (the Gawande) because the arrangement just didn't make any sense. It didn't lend to easy reading because I assumed there was a flow to the Angier....and there was none. With the Kolbert I knew there was no superimposed order beyond the alphabet so I felt I could pick and choose my way through the book until I read all the articles.
Angier included two articles in her volume that I didn't quite see as necessary to the best science writing of the year: Theresa Brown's article about learning to enjoy life through caring for a dying woman (didn't quite find the point) and Dennis Overbye's piece about theoretical cosmology which was actually pretty hard to read (meaning I thought it could be done better). Angier did include a wonderful piece about cataloging the evidence of physical torture, Jina Moore's "Reading the Body" which was beautifully written and highlights the problem of "proof" for torture victims.
The best essay overall was Atul Gawande's "The Itch" - included in both volumes for good reason. He has a great writing style and covers a particular conundrum in cognition - how the brain interprets itch signals - beginning with the case-study of a woman who had unrelenting scalp itch causing her to scratch through her skull into her brain. Freaky, right? Go read the article to find out how her condition is treated.
I think I should go back and get the other Science and Nature volumes of the Best American Series - I really enjoyed Kolbert's work (she's featured in earlier volumes as a contributor) and Mobute recommended the article "Ask the Bird People" from the 2004 collection. They're all still available, too.
Clear Off Your Shelves Challenge Count: 9/12
28 October 2009
The Film Club
The Film Club by David Gilmour is the November edition of our little bookclub, picked by Kat (in case you're wondering, we drew names for each month except October). It did look intriguing, a memoir written by a film critic who made the decision to let his son (Jesse) drop out of high school so long as the two watched three movies a week together. It reads very fast so I finished it off the other night.
I regret to say I am underwhelmed by The Film Club. I was hoping there would be a little more film criticism/theory, in that Gilmour would include more real discussion about the films he watched with his son. The book instead is a memoir of Gilmour's attempt to keep his son engaged with the world by letting the kid do something he likes - watch movies - instead of what he has no interest in - go to school - with some film trivia mixed in. As a memoir, I really don't feel anything for David, Jesse, Maggie (Jesse's mom), Tina (David's wife), or any of Jesse's spoiled girlfriends. There is a detachment - I'm not sure if it's the writing or just the subject matter. I did find there was an alphabetical list in the back with all the movies the two watched over the years but it's just a list, nothing more.
I regret to say I am underwhelmed by The Film Club. I was hoping there would be a little more film criticism/theory, in that Gilmour would include more real discussion about the films he watched with his son. The book instead is a memoir of Gilmour's attempt to keep his son engaged with the world by letting the kid do something he likes - watch movies - instead of what he has no interest in - go to school - with some film trivia mixed in. As a memoir, I really don't feel anything for David, Jesse, Maggie (Jesse's mom), Tina (David's wife), or any of Jesse's spoiled girlfriends. There is a detachment - I'm not sure if it's the writing or just the subject matter. I did find there was an alphabetical list in the back with all the movies the two watched over the years but it's just a list, nothing more.
Clear Off Your Shelves Challenge Count: 7/10
26 October 2009
The Other
The Other by Thomas Tryon was Kat's choice for the bookclub's October creepy/horror novel month (Jackie's choice was Carrie, which I didn't re-read having read it in about 8th grade and scared the pants off myself). I linked to the current trade paperback edition because there isn't a link for the edition I read - Kat got a ratty old mid-70s mass market edition and then passed it off to me (the binding glue was falling out in chunks and the pages were falling out). That copy is pretty much unuseable now and will have to be consigned to the trash bin because I won't foist it off on the library sale in that condition.
The Other is a hard book to describe, other than a psychological horror novel, without giving too much away. The main action of the novel concerns a set of identical twins - Holland and Niles - who may or may not do some pretty despicable things. As in evil things. Creepy, chilly, horror-novel-type things. They also have a Russian maternal grandmother (who claims to have the sixth sense - alluded to as "the Game") and a mother suffering a major depressive episode over the mysterious death of their father. The sections of the novel are narrated by a member of the community looking back on the past so there is a frame to the novel; handy since there's a point at which you wonder exactly what is going on here. As with any good horror novel, I expected flinching and chills - Tryon delivered in spades.
Bookclub met the evening that readathon ended so (conveniently enough) I finished reading The Other as one of my last finished books during the readathon. After a discussion of certain endpoints of the novel open to interpretation (which I really can't discuss here because that would sooooooo blow the plot of the novel and ruin the suspense) we settled in to watch Robert Mulligan's adaptation of the novel, The Other. Tryon adapted, produced and wrote the screenplay for the movie which starred Uta Hagen as the grandmother and Diana Muldaur as the mother with Chris and Martin Udvarnoky as Holland and Niles (watch for a young John Ritter as the son-in-law). The adaptation of the book to the screen is quite good, dispensing with the framing story (would have been too clunky) and removing a number of townsfolk to make the family more insular out at their farmhouse. Tryon kept all the major scenes from the novel and it really was enjoyable to see a story told from beginning to end without major alterations for the movie (although I still cringe at two scenes even now - serious "ick" factor but not because it's gory). A very good movie for a creepy time of year and one of the best book-to-screen adaptations I've ever seen.
The DVD treated us to several "previews", too, including The Hills Have Eyes and both versions of The Omen (the re-make must have been releasing at the time the DVD for The Other was, too).
Clear Off Your Shelves Challenge Count: 6/9
Hush, Hush
I signed up for the First Look Book Club's first ever YA group because I thought it would be fun. I was reminded that I really don't care for paranormal romance. Regardless of the target age group.
Suffice to say, I didn't like Hush, Hush. I forced myself to finish the book during the readathon because it was lurking in my bookshelf and if I finished it I could dispose of the advance copy. Two major reasons why this book got on my nerves:
1) if a female teenager complains to a teacher that she is being sexually harassed by another (male) student, the teacher shouldn't blow off her concerns because it's the only time the other student participates in class; in addition, said teacher shouldn't decide that the female student should tutor the male student...alone
2) I am very tired of YA books that have a "helpless" quiet, studious, intelligent central female character who must be "rescued" from her life-endangering plight by a "bad boy" male....who turns out to have insert-your-favorite-paranormal-trope-here; why can't the teen in need be a male rescued by a self-confident female sans special powers?
When the big climax of the book rolled around, I really didn't care what happened to any of the characters.
So YA paranormal romance is not for me. If you liked Twilight and others in that same vein (Shiver, House of Night, etc) then you'll like this one - angels/fallen angels/Nephilim instead of vampires and werewolves. If the thought of reading Twilight makes you gag...you'd best skip Hush, Hush.
PS: Nora, the protagonist, chows iron tablets like they were Flintstones vitamins. I'm an epidemiologist - I have never once ran across any chronic condition that called for the ingestion of iron tablets when one felt faint. If you want the heroine to have a condition requiring as needed medication when she starts feeling bad try diabetes. Otherwise that's just poor research (put me right off The Sister).
Clear Off Your Shelves Challenge Count: 5/8
Suffice to say, I didn't like Hush, Hush. I forced myself to finish the book during the readathon because it was lurking in my bookshelf and if I finished it I could dispose of the advance copy. Two major reasons why this book got on my nerves:
1) if a female teenager complains to a teacher that she is being sexually harassed by another (male) student, the teacher shouldn't blow off her concerns because it's the only time the other student participates in class; in addition, said teacher shouldn't decide that the female student should tutor the male student...alone
2) I am very tired of YA books that have a "helpless" quiet, studious, intelligent central female character who must be "rescued" from her life-endangering plight by a "bad boy" male....who turns out to have insert-your-favorite-paranormal-trope-here; why can't the teen in need be a male rescued by a self-confident female sans special powers?
When the big climax of the book rolled around, I really didn't care what happened to any of the characters.
So YA paranormal romance is not for me. If you liked Twilight and others in that same vein (Shiver, House of Night, etc) then you'll like this one - angels/fallen angels/Nephilim instead of vampires and werewolves. If the thought of reading Twilight makes you gag...you'd best skip Hush, Hush.
PS: Nora, the protagonist, chows iron tablets like they were Flintstones vitamins. I'm an epidemiologist - I have never once ran across any chronic condition that called for the ingestion of iron tablets when one felt faint. If you want the heroine to have a condition requiring as needed medication when she starts feeling bad try diabetes. Otherwise that's just poor research (put me right off The Sister).
Clear Off Your Shelves Challenge Count: 5/8
Shakespeare: The Invention of the Human
This will be a short review. For a long book.
I started Bloom's Shakespeare: The Invention of the Human because Bloom looms large in the halls of Shakespeare criticism (no pun intended). You have to read it sometime so I figured I'd read it a bit at a time, not too awful. I'd listened to Bloom's Portable Professor lectures on Shakespeare's tragedies and thought them not bad (if you can get around Bloom's voice, which sounds like the Impressive Clergyman from The Princess Bride, reading Juliet's speeches) as well as reading The Western Canon the year prior (also not bad).
But the Shakespeare book? Well....Bloom likes Falstaff. A lot. A lot, a lot. Enough to make you want to gouge your eyes out during the very, very, very long chapter on Henry IV Parts 1 and 2. Which is what I wanted to do and caused me to put the book away for a long time; the cats helped by shoving it behind the nightstand. I did eventually dig it back out from behind the nightstand, finished the Falstaff love-fest, slogged through the commentary on Hamlet, and polished off the last 200 pages during the readathon. I am glad I finished because the Antony and Cleopatra chapter had some good insights but the reading was pretty painful for a while.
One thing that baffles me is a complete lack of bibliography, index, and annotations. Bloom quotes any number of different critics during the book but I would have quite a hard time finding the correct AC Bradley source (for example) because I don't know which piece of criticism supplied the quote. No index makes this look like Shakespeare is for a layman, which might be the intent, but the language structure is advanced and assumes the reader has prior knowledge of the entire Shakespeare canon; at that point, you need at minimum a bibliography.
Clear Off Your Shelves Challenge Count: 5/7
I started Bloom's Shakespeare: The Invention of the Human because Bloom looms large in the halls of Shakespeare criticism (no pun intended). You have to read it sometime so I figured I'd read it a bit at a time, not too awful. I'd listened to Bloom's Portable Professor lectures on Shakespeare's tragedies and thought them not bad (if you can get around Bloom's voice, which sounds like the Impressive Clergyman from The Princess Bride, reading Juliet's speeches) as well as reading The Western Canon the year prior (also not bad).
But the Shakespeare book? Well....Bloom likes Falstaff. A lot. A lot, a lot. Enough to make you want to gouge your eyes out during the very, very, very long chapter on Henry IV Parts 1 and 2. Which is what I wanted to do and caused me to put the book away for a long time; the cats helped by shoving it behind the nightstand. I did eventually dig it back out from behind the nightstand, finished the Falstaff love-fest, slogged through the commentary on Hamlet, and polished off the last 200 pages during the readathon. I am glad I finished because the Antony and Cleopatra chapter had some good insights but the reading was pretty painful for a while.
One thing that baffles me is a complete lack of bibliography, index, and annotations. Bloom quotes any number of different critics during the book but I would have quite a hard time finding the correct AC Bradley source (for example) because I don't know which piece of criticism supplied the quote. No index makes this look like Shakespeare is for a layman, which might be the intent, but the language structure is advanced and assumes the reader has prior knowledge of the entire Shakespeare canon; at that point, you need at minimum a bibliography.
Clear Off Your Shelves Challenge Count: 5/7
Roseanna
I picked up Roseanna last fall during a mystery book sale; I decided I needed to read a few mysteries and since I really fell in love with Stieg Larsson's writing I went for at least one Swede. Roseanna is the first in the Martin Beck series; I'm not really familiar with the crime genre so I made sure I went for a "book 1" just in case.
The storyline seems "ripped from the headlines": a young woman's body found in a lake, no one knows who she is, can the police solve the crime, etc. There is a bit of a stylistic similarity with Larsson's writing and Sjowall/Wahloo's writing, making me wonder if it's a Swedish thing, even though Roseanna was published in the early 1960s. It's very matter-of-fact, no swirling images conjured by a flowing description just a simple statement of fact. This is what Beck thinks. This is what Beck does, eats, travels on, says. Just the facts, making the recounting of the murder and search for the killer all that more chilling because there's no padding between the reader and the investigation.
If I hadn't known the book was written and published in the 1960s I might not have guessed because the crime and investigation seemed very much what is still in vogue in the thriller genre today. Even the killer's psychological state seemed straight from an episode of Criminal Minds. I really didn't notice the absence of computers, Internet, and cell phones; the mark of a good story, yes? I'd like to read a bit more in the Martin Beck series but I need to read the Henning Mankell I've got on my shelves first.
Clear Off Your Shelves Challenge Count: 4/6
The storyline seems "ripped from the headlines": a young woman's body found in a lake, no one knows who she is, can the police solve the crime, etc. There is a bit of a stylistic similarity with Larsson's writing and Sjowall/Wahloo's writing, making me wonder if it's a Swedish thing, even though Roseanna was published in the early 1960s. It's very matter-of-fact, no swirling images conjured by a flowing description just a simple statement of fact. This is what Beck thinks. This is what Beck does, eats, travels on, says. Just the facts, making the recounting of the murder and search for the killer all that more chilling because there's no padding between the reader and the investigation.
If I hadn't known the book was written and published in the 1960s I might not have guessed because the crime and investigation seemed very much what is still in vogue in the thriller genre today. Even the killer's psychological state seemed straight from an episode of Criminal Minds. I really didn't notice the absence of computers, Internet, and cell phones; the mark of a good story, yes? I'd like to read a bit more in the Martin Beck series but I need to read the Henning Mankell I've got on my shelves first.
Clear Off Your Shelves Challenge Count: 4/6
Wolf Hall
My copy of the Man Booker 2009 winning novel arrived one week after the award announcement (luckily, I finished The Children's Book just in time). Nice. Interesting red dust jacket. I know it's about Thomas Cromwell...but why is it titled Wolf Hall?
I'm not going to tell you why the book is titled Wolf Hall (it's an oblique reference, you have to know the history of Henry VIII's reign, and then you have to draw your own reasoning). Sorry, but telling gives a bit away, not that the major action of the novel is a mystery because nearly every character in the book is/was a real person. Wolf Hall is most interesting in that Hilary Mantel has taken a man rendered very cold and scheming by history (Thomas Cromwell is usually portrayed as a bean-counting, social-climbing lawyer) and redrawn him as a family man, albeit one with a very shrewd business sense. Scary shrewd business sense. Cromwell is a man who suffers the loss of his wife and daughters yet perseveres in supporting his son and an extended network of wards, nephews, neices, sisters, sisters-in-law, etc. during Henry's turbulent reign.
I did come to like the character Cromwell over the course of the novel. Mantel chose to write the novel using a limited third person narration so all events of the novel are told entirely through Cromwell's point-of-view (his is the only inner monologue to which the reader is privy); it's a bit like being the proverbial fly-on-the-wall in every scene because no scene in the novel occurs whithout Cromwell's presence. Mantel also used "he" to reference Cromwell most of the time, instead of I, and this leads to my one and only complaint: approximately 80% of the characters of the book are male, 100% in a number of scenes, so using "he" to almost exclusively refer to a character when multiple characters speaking/acting are male becomes confusing. Does the "he" really refer to Cromwell (because it did most of the time) but in some instances does Mantel mean Henry? Or Percy? Or Norfolk, Suffolk, Rafe, Call-Me-Risley, Christophe? Backtracking multiple times in a novel does kind of get to me after a while. In a novel that is otherwise very enjoyable and well crafted the lack of clarity seems a failure on both the part of the editor and author.
If I compare Wolf Hall to The Children's Book I have to say I'm a little disappointed. Byatt's writing is lush, her novel well-crafted with fantastic multiple voices that give color to her time period. Mantel's writing is much sparer - which I expected from a novel about Cromwell - but I didn't find it as evocative of the Tudor reign and the narrative convention did rub me up the wrong way. Do I think The Children's Book should have won the Booker? Yes. Am I biased because I think Byatt is fantastic? Of course. Does Wolf Hall deserve the Booker? On that question, my jury is still out; I enjoyed reading Wolf Hall (it is a good story) and it was a fun book to finish off during the readathon but since I didn't read all the Booker-shortlisted titles I really can't say if the race was solely between Byatt and Mantel. I've got some more reading ahead of me.
Clear Off Your Shelves Challenge Count: 3/5
I'm not going to tell you why the book is titled Wolf Hall (it's an oblique reference, you have to know the history of Henry VIII's reign, and then you have to draw your own reasoning). Sorry, but telling gives a bit away, not that the major action of the novel is a mystery because nearly every character in the book is/was a real person. Wolf Hall is most interesting in that Hilary Mantel has taken a man rendered very cold and scheming by history (Thomas Cromwell is usually portrayed as a bean-counting, social-climbing lawyer) and redrawn him as a family man, albeit one with a very shrewd business sense. Scary shrewd business sense. Cromwell is a man who suffers the loss of his wife and daughters yet perseveres in supporting his son and an extended network of wards, nephews, neices, sisters, sisters-in-law, etc. during Henry's turbulent reign.
I did come to like the character Cromwell over the course of the novel. Mantel chose to write the novel using a limited third person narration so all events of the novel are told entirely through Cromwell's point-of-view (his is the only inner monologue to which the reader is privy); it's a bit like being the proverbial fly-on-the-wall in every scene because no scene in the novel occurs whithout Cromwell's presence. Mantel also used "he" to reference Cromwell most of the time, instead of I, and this leads to my one and only complaint: approximately 80% of the characters of the book are male, 100% in a number of scenes, so using "he" to almost exclusively refer to a character when multiple characters speaking/acting are male becomes confusing. Does the "he" really refer to Cromwell (because it did most of the time) but in some instances does Mantel mean Henry? Or Percy? Or Norfolk, Suffolk, Rafe, Call-Me-Risley, Christophe? Backtracking multiple times in a novel does kind of get to me after a while. In a novel that is otherwise very enjoyable and well crafted the lack of clarity seems a failure on both the part of the editor and author.
If I compare Wolf Hall to The Children's Book I have to say I'm a little disappointed. Byatt's writing is lush, her novel well-crafted with fantastic multiple voices that give color to her time period. Mantel's writing is much sparer - which I expected from a novel about Cromwell - but I didn't find it as evocative of the Tudor reign and the narrative convention did rub me up the wrong way. Do I think The Children's Book should have won the Booker? Yes. Am I biased because I think Byatt is fantastic? Of course. Does Wolf Hall deserve the Booker? On that question, my jury is still out; I enjoyed reading Wolf Hall (it is a good story) and it was a fun book to finish off during the readathon but since I didn't read all the Booker-shortlisted titles I really can't say if the race was solely between Byatt and Mantel. I've got some more reading ahead of me.
Clear Off Your Shelves Challenge Count: 3/5
The Invention of Air
I used to enjoy reading science-y books and I think my biology major/pre-med/MCAT studies/epidemiology master's pretty much ruined science for me for many, many years. I recently decided that science was fun and good again (probably because I drool all over the TV show Numb3rs) so picked up a number of books about physics, math, and the history of science.
The Invention of Air by Steven Johnson recently released in paperback and I picked it up last week. Now, I did start it before the readathon but it was the first book I finished in that 24 hour period. This is quite an easy book to read and really falls on the history side of the category "history of science." While Johnson goes through Joseph Priestley's discoveries in some detail (the discovery of "soda water" and Priestley's experiments concerning the composition of gases/air), he really doesn't go much beyond the layman's level of explanation. It was just a shade boring, very simplistic, to someone with what amounts to a minor in chemistry but it was not so boring as to be unreadable.
What was most interesting in The Invention of Air was Johnson's recounting of Priestley's work in theology and politics. Priestley was a Dissenter, someone who did not abide by the 39 articles of the Church of England, and could be potentially seen as a traitor to the UK. Additionally, Priestley was a supporter of the American Revolution not because he wanted the UK to lose but because he thought the colonists were being treated unfairly. Eventually, a mob destroyed Priestley's home and work in Birmingham, his politics became intolerable in the UK, and Priestley emigrated to Pennsylvania with his wife. Johnson also includes snippets of letters between Priestley and his great friends Benjamin Franklin and Thomas Jefferson (Priestley's commentary on John Adams's politics became one of the means of repairing Jefferson's friendship with Adams).
Polymaths are very rare these days; the gentleman of leisure who studies science, ponders philosophy and religion, speaks eloquently, plays music, and reads extensively is pretty much a thing of the past. Knowledge in certain areas is so incredibly specialized that a man like Joseph Priestley is all but unheard of these days. A physical chemist with a doctoral-level knowledge of theology? Reading of the intersection of those disciplines in Johnson's book was very enlightening (a bit of a pun considering the time period) and that was what made the book enjoyable for a burnt-out nerd.
A good book to start off with for the readathon.
Clear Off Your Shelves Challege Count: 3/4
The Invention of Air by Steven Johnson recently released in paperback and I picked it up last week. Now, I did start it before the readathon but it was the first book I finished in that 24 hour period. This is quite an easy book to read and really falls on the history side of the category "history of science." While Johnson goes through Joseph Priestley's discoveries in some detail (the discovery of "soda water" and Priestley's experiments concerning the composition of gases/air), he really doesn't go much beyond the layman's level of explanation. It was just a shade boring, very simplistic, to someone with what amounts to a minor in chemistry but it was not so boring as to be unreadable.
What was most interesting in The Invention of Air was Johnson's recounting of Priestley's work in theology and politics. Priestley was a Dissenter, someone who did not abide by the 39 articles of the Church of England, and could be potentially seen as a traitor to the UK. Additionally, Priestley was a supporter of the American Revolution not because he wanted the UK to lose but because he thought the colonists were being treated unfairly. Eventually, a mob destroyed Priestley's home and work in Birmingham, his politics became intolerable in the UK, and Priestley emigrated to Pennsylvania with his wife. Johnson also includes snippets of letters between Priestley and his great friends Benjamin Franklin and Thomas Jefferson (Priestley's commentary on John Adams's politics became one of the means of repairing Jefferson's friendship with Adams).
Polymaths are very rare these days; the gentleman of leisure who studies science, ponders philosophy and religion, speaks eloquently, plays music, and reads extensively is pretty much a thing of the past. Knowledge in certain areas is so incredibly specialized that a man like Joseph Priestley is all but unheard of these days. A physical chemist with a doctoral-level knowledge of theology? Reading of the intersection of those disciplines in Johnson's book was very enlightening (a bit of a pun considering the time period) and that was what made the book enjoyable for a burnt-out nerd.
A good book to start off with for the readathon.
Clear Off Your Shelves Challege Count: 3/4
25 October 2009
24-Hour Readathon Wrap-Up: Totals!!
First off, thanks to everyone who popped by my blog for a comment. They all go right to my email so I was able to catch all the notes of encouragement even if I wasn't checking my blog :)
I had a lot of fun polishing off books that my ADD reading sensibilities had languishing in the "in progress" pile. I'm definitely up for the next readathon in the spring and maybe I'll get to start and finish books next time rather than just finish.
Books finished: 6
The Invention of Air by Steven Johnson
Wolf Hall by Hilary Mantel
Roseanna by Maj Sjowall and Per Wahloo
Shakespeare: The Invention of the Human by Harold Bloom
The Other by Thomas Tryon
Hush, Hush (ARC) by Becca Fitzpatrick
Books I made progress on: 1
Fearless Girls, Wise Women, and Beloved Sisters by Kathleen Ragan
Total number of pages read: 1183 (huzzah!!!!!)
I'm wrapping up my readathon weekend by reading a little The Shadow of the Wind and going to my book group tonight. I haven't checked my Google Reader as yet, but I'm sure it is full to bursting and beyong with all sorts of readathon goodness. The challenge for the next week is to write six new book reviews. The fun never ends!
I had a lot of fun polishing off books that my ADD reading sensibilities had languishing in the "in progress" pile. I'm definitely up for the next readathon in the spring and maybe I'll get to start and finish books next time rather than just finish.
Books finished: 6
The Invention of Air by Steven Johnson
Wolf Hall by Hilary Mantel
Roseanna by Maj Sjowall and Per Wahloo
Shakespeare: The Invention of the Human by Harold Bloom
The Other by Thomas Tryon
Hush, Hush (ARC) by Becca Fitzpatrick
Books I made progress on: 1
Fearless Girls, Wise Women, and Beloved Sisters by Kathleen Ragan
Total number of pages read: 1183 (huzzah!!!!!)
I'm wrapping up my readathon weekend by reading a little The Shadow of the Wind and going to my book group tonight. I haven't checked my Google Reader as yet, but I'm sure it is full to bursting and beyong with all sorts of readathon goodness. The challenge for the next week is to write six new book reviews. The fun never ends!
24-Hour Readathon Update #4 - Make-up time
Making up a few hours since I worked a full shift at the store - meaning I was short about 8.5 hours, not counting having to sleep for another 4.
Make-Up Hour 1: 10am
Got up and dressed (slowly). Headed to Brugger's for breakfast (wow, drunk sorority girls....must have been a good post-game party)
Reading: Fearless Girls, Wise Women, and Beloved Sisters
page start: 171
page stop: 184
1130am - time for browse through Prairie Lights (bought new verse translation of Das Neibelungenlied)
Make-Up Hour 2 and 3: 1-3pm
Headed to B&N for coffee and magazines (confirmed bookclub for tonight)
Reading: The Other by Thomas Tryon (for bookclub)
page start: 84
page stop: 288 (finished)
Make-Up Hour 4 and 5: 3-5pm
Catching up on book journals (been really lazy about that), no page for Roseanna, odd.
Time to knock off another book.
Reading: Hush, Hush by Becca Fitzpatrick (ARC from FLBC)
page start: 115
page stop 391 (finished)
Paranormal romance is very much NOT my thing.
Starting work on The Shadow of the Wind by Carlos Ruiz Zafon. Time to go calculate the page totals for a wrap-up post!
Make-Up Hour 1: 10am
Got up and dressed (slowly). Headed to Brugger's for breakfast (wow, drunk sorority girls....must have been a good post-game party)
Reading: Fearless Girls, Wise Women, and Beloved Sisters
page start: 171
page stop: 184
1130am - time for browse through Prairie Lights (bought new verse translation of Das Neibelungenlied)
Make-Up Hour 2 and 3: 1-3pm
Headed to B&N for coffee and magazines (confirmed bookclub for tonight)
Reading: The Other by Thomas Tryon (for bookclub)
page start: 84
page stop: 288 (finished)
Make-Up Hour 4 and 5: 3-5pm
Catching up on book journals (been really lazy about that), no page for Roseanna, odd.
Time to knock off another book.
Reading: Hush, Hush by Becca Fitzpatrick (ARC from FLBC)
page start: 115
page stop 391 (finished)
Paranormal romance is very much NOT my thing.
Starting work on The Shadow of the Wind by Carlos Ruiz Zafon. Time to go calculate the page totals for a wrap-up post!
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